The scale and detail of this book are without compare. Realistic enough to keep you grounded yet the descriptions and scope of events are so vast that you're hooked and kept interested through the 3 books. This is a very accessible novel that I would recommend to someone who has little experience with the genre. The story is somewhat conventional beginning, middle, end but manages to include a considerable amount of discovery and mystery.
If defines what something truly 'alien' is - not some dude with two arms, two legs, one head and a load of prosthetic makeup, but alien. EE Doc Smith's Lensman series of novels is fantastic. Don't read them out of sequence or you will get confused. Not a classic as such. However a brilliantly formulated and pieced together epic, which is assured to keep you engrossed for a couple of months at least. It has everything - Banks' Culture novels all share a great setting, but out of all of them The Player of Games just delivers that bit extra in character, adventure, epic grandeur, and a sophisticated plot that resonates on so many levels.
Sci-Fi sometimes takes itself too seriously - this five some of the laughs back. Immense in scale, it crafts a entire universe of it's own and then populates it with figures and races over millions of years. It mixes philosophy, Islam, Zen, lesbianism, Cloning into a series of amazing books that stretch our minds and challenge our perceptions of reality and our perceptions of self. A compelling glance into the future for our technological, alienated, schizoid species. If you think that cyberpunk was invented in the s, then you really need to read this book.
Combines both a vicious, futuristic war yarn and the bleeding edge of trippy, Burroughs-style SF. Abraham Lincoln is revived as an android as part of a crazy scheme to re-enact the US Civil War for entertainment only to be hijacked by big business and a darkly disturbed creator - All contribute to this tale in which the author explores his familiar themes of the nature of reality and what makes us truly human. Fantastic series of books. It does what Asimov tried to do but never quite succeeded, despite his many achievements: it has artificial intelligences far more fascinating than the human and other naturally evolved characters, as well as being a space opera to end all space operas and a terrific entertainment.
The humans end up being almost the rather indulged and very much patronised pets of the AIs. Speaking of pets, David Brin's Startide Rising deserves a mention. And, for the entire body of his work up to the moment, the great Greg Egan: no one makes you think about and doubt existence, including, first of all, that of your own self, like he does.
Better than the first volume, Hyperion, this book has a great, dramatic story, fine characters, plenty of time-twisting and some wonderful ideas about AIs, human evolution, religion and What It All Means. It's not gruesome and funny like Iain M Banks I would nominate all the Culture novels as second choice but it is epic, thought-provoking and a little bit scary the Shrike.
Few authors can tell a story from the view of a non human character as convincingly as C. Cherryh can. Her worlds are well developed and it is fun to read her books. Also recommended reading: her Foreigner books. Mr Banks' science fiction is always absolutely brilliant. The scope and size of the settings in which the plot is set is so much more than other writers. I enjoy them all, Surface Detail, being the latest developed The Culture concept further, full of dark humour and brain expanding vastness of it all. Consider Phlebas is sf at it's best.
Awesome in it's scope, speculative in it's ideas, plausible and at the same time beyond what we have thought before. Huge things in space, sentient machines, a fantastic society and a main character that is on the wrong side in a conflict makes great reading and hopefully some thinking from the reader. Absolutely terrifying, yet zany, satire of Soviet life. Written in this under-appreciated gem is the grand-daddy of all dystopia. It looks at the mechanation and production line culture that was due to rise.
Fordism and a Benefactor scream 'Brave New World' and '' in equally delightful prescient horrors. Space rather than science fiction, this is a penetrating look at humanity through an alien's eye. Lessing is prescient about so much and pulls no punches in her analysis of the human condition. An endlessly fascinating, worlds-within-worlds exploration. Original, thought-provoking and well plotted, not ruined by exposition. It illustrates the utter futility of projects like SETI - even if we did receive a message from the stars, could we ever agree what it meant.
And imagine the religious upheaval it would cause if there was any claim that there is no God. I picked it up by accident from the library and just though, "oh well, I'll read it anyway? It's hero, takeshi kovacs is very much a person who just seems to caught up in incredibly volatile and deadly situations, and he comes through them purely cos he's prepared to do whatever is necessary to survive in an outrageously coldblooded manner while still retaining enough depth of character and humanity to be sympathetic.
I've read everything that Morgan's written since - several times - and I can't recommend this book highly enough. A book that feels just as relevant now than it did in the 70s. Great plot, satisfactory presentation of inner agonies of the individuals, solid characters, irony, suspense. A s masterpiece of black humor that, although dated in the way it tackles sexuality and the place of women in society, stands as a good reflection on utopia, pacifism and personal responsibility.
Once read, never forgotten. Dodge the Steamroller! Well written and plotted - lots of strands - androids, repressed memories, ambiguous aliens, action sequences with sudden unexpected abilities, with in depth character development, and open ended. Would make a great blockbuster film! Seventies utopian and dystopian ideas. Aged a bit, but deals with a lot of issues that never occurred to the boys. It's fun. The author has given himself permission to let his imagination wander. We all need to give ourselves permission to let our imagination wander. That's the nub of it. Suppose we do get off this rock and into inter-stellar space e.
What if we did find an inhabited world, because we were following the signals received by SETI, say. Would we even recognize the aliens as living creatures when we encountered them? The sheer amount of cock, even for the sci-fi genre, is spafftacular. I watched the film first, which didn't have nearly as much cock. By God, I love the cock in the book.
First it's very funny, the author has a real eye for an unexpected gag. But it's also got a serious side. It's a mix of science fiction and fantasy about a world that is like the real world except that all religions and superstations are true. Four people go on a quest to find the soul of a dead magician that has been trapped on a computer. The characters are warm and believable book is quite thought provoking. It keeps you completely off balance the whole way through.
Just when you think you know what is going on something shifts and you find out that nothing is what you thought it was. I like that especially as I realized at the end that one of the main themes is how apparently orderly systems arise out of chaotic situations. I always think it's the sign of a good book that however many times I read it I always find something new to think about and to laugh at. Well, it's a trilogy not a single book and, next only to Olaf Stapledon's works, the most satisfying and simply enjoyable SF I have read.
What I like about it is that it mixes science fiction with a good old-fashioned adventure story involving likable people. And it is brilliantly conceived and told. A voyage into the science fiction future does not always have to be scientific. Banks excels in his nonchalant creativity, placing his main character, who is world class at his own past time of playing games, into the hands of 'special circumstances' an organisation run by super minds to put right the wrongs of the universe As an avid reader of what is know as 'the Culture series' I recommend 'Player' as the entry book to Banks's universe, this book, if you like it, will lead to all the others, 5 or 6 at the last count.
All different, but fascinating, exciting, sexy and above all optimistic about very advanced humanoid civilization, although the culture is categorically not simply us in the future. This trilogy has been the most influential of all science fiction books. Although they are three books, I see them as one long book, broken into three parts because of the nature in which they were purported to be written by a single divine force working through human agents.
So even the manner of the writing is surreal and cosmological. They are filled with dictates regarding proper conduct. The stories document the twisted behaviors of leaders, wars of conquest, socio-political struggles, and moral themes. Among the chief features is the sado-masochistic relationship that the god in these books has with his people. I found the sacrifice of Jephthah's daughter to be exemplary of the kind of brutal gamesmanship between the two parties.
Additionally, divine imperatives include the extermination of entire peoples and failures to carry these out to their fullest extent results in punishments. Though often boring and filled with cryptic platitudes, these books are worth reading, if only to look into the psychological space that they have created in billions of fans all over the planet. This, with its three sequels, is a magnificent work of linguistic and mythic imagination, deeply resonant and rewarding. A brilliant fusion of a noir detective story set in a detailed and believable future world, its pace is relentless and like all good books leaves the reader wishing for more pages to turn.
Three interwoven novellas. An excellent introduction to the pleasures of reading Gene Wolfe, before tackling The Shadow of the Torturer. Well worth seeking out, since other writers are to Wolfe as ketchup is to bordelaise. I love the idea of maths as a predictive tool. Also the twist where one character is not what they seem. An early post-apocalyptic novel and an excellent comment on how quickly society can collapse.
This series has everything: time travel, magic, beings from folklore, such as elves, ogres, etc, modern technologies, future developments, politics, alien intelligent species, crime, punishment, ethics and morality, all set against a backdrop of reasoning about the nature of life, of religions, of the concept of god s , the infinite and the cosmos, seasoned with a delightful sense of irony and wit The Foundation series, most epsecially the first book in the series, has a beautiful vision of a galactic empire, doomed by probability to fail, and the preparations for what will replace it.
It's stuck with me for years, and I still lend my copy to friends on a regular basis. This book was simply written with a theological angle, however just read literally it was very resonating for three connected ways of seeing things that are indelible to my reading and appreciation of this story: 1. The translation of what the human says and how it is heard by the aliens. A human seeing the appearance of two different aliens, before realizing they are actually humans.
Earth is a silent planet in a Universe full of communication. There is another theory which states that this has already happened. It is quite simply the best book ever written. I grew up on this book, with my dad reading me excerpts for bedtime stories! Sit down with a Pan Galactic Gargle Blaster and enjoy! For those not in the know, it's like having your brains smashed out by a slice of lemon wrapped round a large gold brick. I read this when I was in my early 20's when it was instrumental in my becoming a life long Sci-Fi fan. I re-read it in my 50's and enjoyed it just as much.
I introduced it to the book club I belong to and they enjoyed it despite the fact that they would not normally read Science Fiction. Read this a few years ago now and the images it created while reading it have since stuck in my mind. Its a classic because it remains a terrifying novel to date. A book that simply defines everything that good sci-fi should be: thought-provoking, relevant whilst retaining a healthy dose of the unknown, perceptive in its understanding of trends in society at the time and in the future and, most importantly, pushing the limitations on human imagination.
Brave New World is, ahead of other classics such as , the one sci-fi novel that everyone can recognise in our own cultural infatuation with indulgence and social structure. It is an epic that joins the distant past to the near future. It is hopeful, as expressed in the "Star Child" I cannot even think about that image without getting major goosebumps yet it contains a warning to mankind about its own folly.
It is at least somewhat prescient in how HAL is portrayed. And it is a great story as well as a great film. It is exciting and even breathtaking. Furthermore, the film made brilliant use of a classical score with Richard Strauss' Also Sprach Zarathustra more goosebumps and Johann Strauss' The Blue Danube, both electrifying compositions. The spellbinding quality of Wolfe's prose by itself qualifies this as an all-time SF great, as a book we can all point to when someone accuses SF of not being literature.
But there's so much more happening here. Twin alien worlds, decadent, decaying French colonies, and an aboriginal, shapeshifting race that seems to have vanished like a dream. Three narrators, but somewhere in the twists and turns of their narratives, we lose them and find we're holding someone else's hand. I've read this book ten times now and I'm still finding new things to love about it. I read this when I was a young angst ridden sixteen year old and fell in love with it. It's a great little story of going back in a time machine to the days of christ in search of a meaning to life Excellent riff on the alien invasion sub-genre with aliens we never actually meet.
Add political and social satire and a mildly unreliable narrator and you've got it made. Foresaw the dangers of the polar cap melting as well! I love the multilayered approach and the phonetic spelling, and then the main protagonist is such a nice kid! One of the great space operas. Some critics have said it's too complicated. The richest most complete creation in the whole genre. Comparisons with the contemporary Vietnam War aside, the book was quite simply un-put-down-able! A great story of grunt soldiers training and fighting aliens over a possible misunderstanding with the added concept that the great distances they need to travel to the war zone means the Earth they know goes through changes they could not have foreseen.
Classic ending. This is one of those novels that non sci-fi fans can read without having to think that they are reading a sci-fi story. In other words it is happy to be called 'speculative fiction'. It is funny, witty, insightful, harrowing and shocking and utterly gripping from the start to the finish. This book displays the broad spectrum of humanity from our best to just how low and evil we can stoop. It moves through time from the past to an awesomely realised post apocalyptic future and back again showing a playful and excellent grasps of multiple literary styles along the way.
This was the book I gave my girlfriend who is not a fan of sci-fi as the one example of this genre that she agreed she would read, mainly just to keep me quiet. She adored it. Well written, extremely good plotting and characterisation, and has elements which stay with you for years after reading it which is the whole point, isn't it? A novel which focuses on how a military-run government would look. Also gives a good description of uber-cool space suits and fighting aliens.
Really makes you think about how OUR world works by looking at another. Am almost completely realised universe, very smart and incisive. I found the contrast between the connections of the culture through neural laces and the inhabitants of Yoleus to be very thought provoking, as it brought up a host of questions about the causes and effects of instant information through the internet. Also damned funny.
I first read this book as a pre teen and found it an atypical examination of prejudice and the fear that inspires it. It is however, a very enjoyable, well written read. I have read it in every subsequent decade of my life and found no less enjoyable. I would recomend it for young and old alike. By far my favorite John Wyndham book. All books of the Robotic series together with the Foundation Series. Alternate history squared, Spinrad posits a world where Hitler went to the US in the late s and became a science fiction writer of the golden age.
A spoiler proof story and not actually a very good one, but the shock is realizing how close so much SF comes to it. Spinrad includes an academic article criticizing HItler on a literary basis to help you process the experience. It has everything, hard Sci-Fi ideas, fantasy politics, religion, philosophy, romance Sprawling SF on a vast scale, violent and hilarious in equal measure, Banks' Culture Novels are peerless, and this is one of his best.
Even non-sf fans like this.
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Heinlein probably created more libertarians with this book than Hyeck! The first of Smiths books and the first one I had read, picked up at random from a newsagents. From the first page you are hooked by the vivid imagery and shocking storyline. It was a lesson in how you can put wild imagination onto the page and let it run away with itself.
Despite it's complex concepts the vivid imagery and flowing dialogue reall lets you enter the Culture world for the first time with a great understanidng for me the best Sci fi book ever written. Best of the 'culture' novels. Games at multiple levels, very black and very entertaining. There was just something about this book and all the thought that author Clarke put into it that made it stand out for me. There was no wild imaginings just simple and logical prediction. The only thing that was a little hard to believe was the physical size of Rama.
Given the cost and complexity of building the ISS, one has to wonder how long and how much it took to be built and sent on it's way. A super read though. Bill is a pal of mine for starters. He was working on this book years before I met him. He let me read his rough draft when it was done and after that, I hope he will write more. I've downloaded his ebook and it's even better finished. He said that it's the kind of story he wantes to read about. He's shared it with some other people I work with and everybody loves it. I think he had his brother make a video, but I'm not sure. He was talking about it.
Bill can draw, too. I'm friends with him on facebook, and his characters are really cool so now you can actually see what his characters look like as he sees them. I would recommend this book even if Bill wasn't my friend, it's that good. I thought it was too obvious, but apparently not, based upon the comments below. Dune, along with Stranger in a Strange Land, catapulted sci fi out of the "golden age", and re-defined the genre.
These two books are to sci-fi what the Beatles were to rock. Everything after was different.
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This novel is set in a post environmental holocaust future with both a dystopia and a Utopia. It presents beautifully drawn characters in a technological wonderland with a hellishly corporate backdrop. The novel revolves around Shira and her quest to be reunited with her son - taken from her by the company she used to work for. In her quest she is joined by a wonderful cyborg named Yod and the novel tells of their relationship and brings into question what it is to be human.
The story is interspersed with the tale of the Golem in Prague which brings the questions around what is life into a longer history and gives it weight. As a science fiction novel it is so frighteningly possible - and in the not very distant future - but its real power is that we can already see how close we are to becoming a world in which corporations control private lives. There's some really wonderful moments like when Shira and co hack into the company's computer system using their minds, but flying in the shapes of birds, and when Shira is trying to teach Yod to understand the beauty of roses.
I don't want to give anything else away as there are also unseen twists. Plus there are kittens! Too dense, too pretentious, no likable characters and then for the last quarter Suddenly transformed to profound, disturbing, beautiful and lyrical. As someone else on this thread says, "Quite unlike anything else i've read". Start with the creation of a mind then follow it on a post-human diaspora through the multiverse. Over 2 generations ahead of its time - Still a contemporary science fiction novel of the highest quality - the central tenet still stands the ravages of time as a truly inspiring and though provoking possibility.
An amazing gem. Not sure if it's SF, biography, satire, or a combination of all these and more, but it's a genius little book which I read over 20 years ago for the first time; I re-read it ocassionally, and it's still fresh to me. An amazing series detailing the interactions between a number of species includinfg humans on a grandiose scale. A must read for any true lover of SF. When the author tries to explain what a twelve dimensional planet might look like in an alternative universe it boggles my poor little four dimensional mind, but in that giddy, vertigionous way Stephen Hawking sometimes managed in a Brief History of Time.
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Except theres no spaceships, aliens, virtual realities in Hawkings book, which makes this book quite a lot better. Diapsora is a novel of big ideas. From the birth of a gender neutral new mind in a virtual reality where most of humanity live in the near future AD to exploration of the galaxy and on to other universes of increasing multidimensional complexity to the ultimate fate of our species and others, all in a pursuit of a mystery - how does the universe hmm, multiverse really work?
How can we survive its indifferent violence? And where are the mysterious species who left microscopic clues behind in the structure of an alien planet warning of galaxy wide catastrophe? As the book progresses the relative importance of these questions and answers change. What happens when the answers are complete? Are they ever?
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It does take a while to get going particularly if you're not familiar with 'hard sci-fi' but there are no 'cheats' used in traditional sci fi. No transporters, FTL travel and the intelligent aliens are so utterly unlike the 'human' heroes they need several layers of 'relay-team' interpreters even to communicate. I look forward to the day mind wipes become more widely available so I can read it again for the first time.
Like the best science fiction, it portrayed a plausible world growing out of our present - and the central figure is a believable human being doing currently-unbelievable things who grows, over the course of the book. And totally gratuitously, it led to a number of sequels as rich and believable, in their way, as the first in the series was itself.
Larry Niven is mainly know for his Ringworld series books. Generally his books are set in "known space" - a universe not too distant in the future - or close parallels to this creation. In "World of Ptavvs", Larry brings an alien known in "known space" as being extinct for millions of years to the present day.
The alien a Slaver had been in stasis and is unintentionally released and then sets about trying to enslave the earth. Fortunately Larry Greenberg, who had been trying to reach the alien telepathically whilst in stasis, is here to save the day.
Without giving too much away, humans are related to the Slaver race, meaning of course that the World of the Ptavvs is earth. Some Slavers that have lost all their family rather than committing suicide will decide to protect the whole Slaver species. If only Larry knew someone like that to protect earth from this Slaver What I like about the book is that the complete story spans from years into past and future.
Space Opera it is not as the books are far too easy to read a couple hours to read this book but none-the-less Larry Niven creates a rich and compelling universe. It is prescient in its understanding of memes, no one else has come close. Not neccesarily the best SF book ever-that would in my opinion be one of Iain M. Banks's 'Culture' novels-but quite possibly the weirdest. If you thought the end of Herbert's Dune series was getting a bit strange, it has nothing on this-truly out there WTF!
By the way, are we including the Gormenghast trilogy in this? It's a beautiful balance of drama, speculation, humor, and the PKD's own special brand of paranoia. Well written, wll thought out, great plot develpoment, and all around awesome!!!! This book so beautifully demonstrates the point that what falls between two opposing, hard-held points of view is truth. Not science fiction by the contemporary definition. This novel deals with what has been coined "inner space" rather than the more outer-space oriented, Le Guinesque fantasies.
JG Ballard was a prominent figure of the new wave of science fiction: a collective of novelists who emerged in the s and were mostly concerned with the birth of the space age and the atom bomb, for example. This was a time when events of the so-called real world began to seem stranger than fiction.
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As a result, novelists of this era began to write about dystopian near-futures rather than settings vastly remote in time and distance. High Rise deals with the effects of the man-made, physical landscape, in this case an east London aparment block - on the physcology of the tenants. The rigidly defined social structure, too-easy access to amenities and desire of the tenants to resign from their lives as mindless functionaries, sets in motion a descent into a microcosmic catastrophe.
Ballard's ruthless imagination is on show here in all its glory. This book changed my life. Strictly not Sci-Fi, but a theological meditation on perception, sanity and counterculture. One of my favourite books, up there with Camus and Satre in my opinion. The protaginist is a man undergoing a nervous breakdown who interprets his psychosis as religious revelations. Astoundingly well-written, profound and funny. Refutes the view of science fiction as 'Cowboys and Indians in Space.
The author is a bit of a nutter, but the Mission Earth books are an excellent read. And, the hero grows up a little. Eurasia including Britain has been conquered by Bolshevism. All because Adolf Hitler emigrated to New York in to become a science-fiction writer. That's the framing story. LOTS tells of a mythologized Germany "Heldon" in a future post-nuclear world that rose up to defeat the evil mutant forces of Zind and their humanity-destroying rulers the Dominators. The only reason it's not more popular is because it's too real in many respects.
It lacks that warm and fuzzy Hollywood-like ending needed for today's pop culture. Still, it's a brilliant series of books. I recommend them all. Like all great science fiction Shikasta and its four companion volumes has a serious philosphical core; It is beautifully written, and is a cracking read.
It is plausible and utopic, offering a glimpse of a future of equality and sexual freedom with humankind and nature in balance, while pointing at the frailties of current reality and pertinently criticising organised religion, ideology, and colonialism. Lessing's imagination runs riot, and the fourth volume, although slim, has one of the finest takes on survival in a hostile environment I have ever read. One of the most compelling compendium of five book s. Fast paced, excellently written and many thought provoking ideas playing merry hell with history, time, space and logic. Not to mention a great cliffhanger ending.
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This is not a book, it is a short story, a very short story, but it was the inspiration for Clarke And Kubrick's collaborative epic It sums up humanities constant desire to discover 'someone else, out there. We are so lonely, like a kid who has lost it's mom.
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So much SF is devoted to our quest for contact, but the original short sums up the anticipation so well. This collection of short stories is full of wit humour and dystopian futures. Book bindings that rewrite books, aliens infiltrating society as four foot high VW mechanics and faulty time travellers taking part in their own autopsy and ticker tape parade. This book is the most imaginative i have ever read and i'm overwhelmed by its brilliance whenever I read it. I have laughed, cried almost and felt almost every emotion in between and if one person reads it because of me i shall be happy. Most people read the dystopia - Brave New World, but Island was a utopian dream - one of the first books that really affected me.
Also anything by John Wyndham - many of his books successfully made it to films, Day of the Triffids and Village of the Damned. I also loved The Chrysalids - never understood why it didn't become a film. But the sci-fi crown must go to Peter F Hamilton - he has the ability to create entire universes and includes the entire shebang of sci-fi within each series - aliens, technologies, societies, superhuman abilities, etc.
I'd just like to put in a moan about the way bookshops display Sci-Fi - they integrate it into Fantasy. I've nothing against fairies, elves and goblins, but this genre tends to look backwards to times when knights were armed and everyone else was nervous. Sci-fi generally looks forward to the future with technology or societies or takes alternative universes and extrapolates.
So why do bookshops display them together? Do they have no concept of either genre? Moan of the day over. Serves up visual imagery of technological advances that we have now attained or on the way to achieving. Corporate pervasiveness in holographic advertising projected anywhere, futuristic ways of engaging with celebrity idols, cosmetic surgery making people look like an amalgamation of famous stars, old technology lying around in scrap heaps in amongst hi-tech wonderment. Its all happening.
And who could forget the way Razor girl introduces herself to Case after hes just had in effect an organ transplant? Truly unbeatable. In mho, it marks the emergence of contemporary SF as Literature. And because Dan Simmons wrote such a beautiful novel back in , a generation of SF writers has emerged to compose a species of fiction unprecedented in the history of Literature, a species that thenceforth redefined the idea of the SF novel.
That may be overstating the case, but the purity and overpowering poetical sensibility of Simmon's writing cannot be disputed. And in no way to diminish the achievements of Gene Wolfe and Robert Silverberg - the grandfathers of literary SF - but I thihnk that Simmons was the first novelist to deliberately embrace the so-called literary canon and weave it into a profound and beautiful SF tapestry.
But it is not simply a story well told, it is SF. And that means it is about ideas. They are, in point of fact, novels that provoke wonder - which is exactly what science fiction has always been about. Unknown to him or us early on in the story is that he is in fact helping the military intercept missiles fired at earth from rebels on a moon base. Great little book! Wry observations on the military and humanity from the returning soldiers isolated from society by the effects of relativity on time caused by near to light speed travel. A great ending. A pacy read, sexy and like all good SF wrong on lots of details but contains many truths about mankind.
In a near-future world where technological progress has been frozen by the all powerful peace authority, renegade scientists discover the secret of the bobbles used to cloak weapons, bases and even cities and turn the technology to their own advantage to bring down the peace authority. At the local library when I was 17, I discovered the Uplift Saga. Starting with book 2. Star Tide Rising. I loved its exploration of conciousness with the idea of spreading sapience to other animals on earth - dolphins and chimps. I found it very positive about humanity as alien hordes threatened to destroy human cultures or humanity itself.
I've not read many sci fi where despite flaws you get drawn into such a pro humanity narrative. The setting was enjoyable, marooned on a water world with a crew of dolphins. I can easily imagine from his writings that such a place must exist. I would recommend the rest of saga but for me startide rising stood out. LV was first detected by Weyland Corp astronomers on May 14, The Nostromo touched down on LV allegedly in response to a mysterious signal emanating from the moon, per standard Weyland-Yutani protocol.
In reality, the signal had previously been detected and decoded by Weyland-Yutani,  and the Nostromo had been pre-selected to investigate, with the android Ash surreptitiously placed aboard to ensure the safety of any lifeforms that were discovered. Though the Nostromo was damaged while landing on LV, a three-man exploration team, consisting of Captain Dallas , First Officer Kane and navigator Lambert , proceeded to explore the moon's surface and discovered a Derelict spacecraft that was responsible for transmitting the signal.
While exploring the derelict's interior, the crew came across the fossilized remains of the Engineer pilot and thousands of Xenomorph Eggs stored within the ship's cargo hull. Kane was subsequently impregnated by a Facehugger and was taken back to the Nostromo for treatment. The Nostromo departed soon afterwards, but the Xenomorph implanted in Kane's chest later birthed in space, leading to the Nostromo' s destruction. Following the loss of the Nostromo , the incident was covered up by the Weyland-Yutani personnel involved.
LV was later selected for terraforming and human colonisation. This process began with the establishment of the colony of Hadley's Hope in ,  with large-scale terraforming efforts beginning two years later  with the construction of a number of Atmosphere Processing Plants to make the moon's atmosphere breathable. The early inhabitants of the colony christened the moon Acheron,  after one of the rivers that wound through the netherworld translated as "River of Pain" in ancient Greek mythology. Despite this human habitation, the colonists remained unaware of the derelict due to a combination of the moon's thick, debris-laden atmosphere shielding it from both visual and satellite detection, and the Ilium mountain range blocking it from the colony's ground scanners.
Russ was subsequently impregnated by a Facehugger during his investigation of the ship, sparking a full-scale outbreak at the colony. A Queen established a Hive in the colony's Atmosphere Processor, and the Xenomorphs killed or captured, cocooned and impregnated nearly all of the colonists. A select few inhabitants managed to escape the incident: two disparate groups of colonists fled in two separate ships. One group escaped aboard the cargo freighter Onager and sought refuge on the nearby LV , ironically the same moon where the USCSS Prometheus disappeared in , while a small group of four led by Captain Brackett of Acheron's resident Colonial Marines contingent safely escaped the system in a shuttle.
Writer Nigel Kneale's series of Quatermass tales, which originally started as BBC serials and later adapted as three excellent films, remain among the finest examples of British science-fiction from the s and '60s. Eerie images, stark cinematography and a constant level of tension make this a crackling, unsettling 90 minutes.
Arguably Nigel Kneale's masterpiece, this third Quatermass outing finds our rocket scientist now played by Andrew Keir investigating the discovery of a strange artifact buried under a tube station in the center of London. The object is a dormant Martian craft that was part of a colonization effort by the long-dead Martian race. When the craft is activated, it possesses the minds of any humans who have the remnants of Martian genetic programming from millennia ago and sends them on a murderous racial purge.
Alien invasion by proxy is what this gripping film serves up, with the ideas coming fast and furious the Martians look vaguely Satanic, suggesting our racial memory of the Devil and the atmosphere full of suspense and terror throughout. While the main thrust of this terrific and underseen sci-fi action epic is the continual time loop that turns Tom Cruise from a cowardly PR flack into a resolute hero, it's also worth noting that Edge of Tomorrow is a crackerjack alien invasion flick, too.
The Mimics are a truly monstrous race, and it's their ability to reset time that provides the narrative engine for the Cruise character's arc, making for an unusually coherent and smart script all the more wonder since it was finished during filming. Is District 9 an film about an alien invasion? Neill Blomkamp's directorial debut finds some , aliens in a massive ship seeking asylum on Earth and getting it -- only to live in squalid refugee camps on the edge of Johannesburg, South Africa, where tension and suspicion between aliens and humans rages daily for the next 28 years.
The aliens' true intentions remain murky, but the film's brilliant central metaphor is perhaps even more relevant today, with the ongoing refugee crisis happening abroad. And it's one hell of a thriller, to boot. One day, the entire population of the town of Midwich, England falls unconscious, as does anyone who enters the hamlet. When they wake up, it's discovered two months later that all females of child-bearing age are pregnant, and they give birth -- all on the same day -- to children who develop quickly and begin to manifest both a telepathic bond with each other and strong psychic powers.
Predator seems to start out as a typical Arnold Schwarzenegger action vehicle and veers into weirder territory once the Predator, himself -- an alien being stalking humans in a South American jungle -- starts pursuing and killing Schwarzenegger's team. Is the alien an advance scout? A lost explorer? An extraterrestrial mercenary? We never know and we don't care; this movie lives on its relentless suspense, its hideous monster and Schwarzenegger's winning performance, not to mention the final confrontation between him and the Predator.
Although it's been supplanted by the Carpenter masterpiece, The Thing from Another World is still a classic in its own right and one of the best sci-fi films of its decade which is saying a lot, since the s were a hell of a decade for sci-fi cinema. Although this Thing is a highly evolved, intelligent form of plant life in a humanoid shape a "super carrot" as reporter Ned Scott calls it , it still has the ability to reproduce itself -- making The Thing from Another World about the vanguard of an invasion, if not the invasion itself.
The Cold War allegory is intact as well, and Scott's final plea to "keep watching the skies" is a potent one. While less drenched in the alienation pardon the pun and urban angst of the version, the film is just as creepy in the way its small town of Santa Mira, California is effortlessly absorbed and replaced by the pods. This thriller takes place in one of the genre's most unusual settings yet: a council estate a. Relentlessly suspenseful, exciting and funny -- not to mention on point with its subtle explorations of race and class -- Attack the Block is a modern take on the genre that is fresh and furiously entertaining.
Yes, the late Roddy Piper is not much of an actor, but They Live has nonetheless slowly achieved cult status over the years to become one of John Carpenter's most enduring films. Piper plays a drifter who accidentally discovers that Earth's leaders have all been replaced by aliens, who are sending out subliminal commands to keep the human population distracted, in debt and under control.
A rousing action thriller as well as a satire on our complacent, conformist society, They Live is the kind of cynical science fiction that only John Carpenter could make. Night Shyamalan makes alien invasion into a personal matter, focusing on one small family led by Mel Gibson in rural Pennsylvania and their response to the bizarre events occurring around their farm and, by extension, in the world outside. The movie's a bit heavy-handed at times, and the final lapse in logic why would aliens invade a planet that is made up mostly of a substance harmful to them?
The invasion, itself, is spectacular, but non-violent: the human emissary Klaatu and the giant robot Gort land on Earth and make a simple declaration -- that we must get our act together and stop our violent ways if we want to join the larger universe, or else risk elimination. But behind that declaration is vast, unimaginable power. The Day the Earth Stood Still remains gripping and involving not because of what is shown -- although Gort is one of the great movie automatons -- but because of what is implied.
John Carpenter's modern classic is not a remake of the film, but a fresh adaptation of the original source material, John W. Campbell Jr. It retains the original premise of a malevolent, aggressive alien organism capable of assimilating other lifeforms and imitating them. The threat is clear: this organism will absorb and imitate everything in its path and cannot be allowed to reach civilization. The invasion here is insidious and biological: the very essence of every living creature that comes in contact with the thing is consumed.
Somehow, that's more frightening in a way than giant spaceships hovering over the Earth. Although it takes a lot of liberties with the original novel and is dated in some ways, producer George Pal's epic adaptation of the Wells book retains a considerable amount of power to this day. Director Byron Haskin draws maximum tension out of a tightly written script and the story's Cold War backdrop, while the film also provides a human element to the devastation that the Martian invasion wreaks. The War of the Worlds was one of the first big sci-fi movies of its kind -- a precursor to the modern blockbuster -- but it's got heart and a mournful quality that's hard to shake.
ID4 was one of those game-changing movies that upped the ante for summer blockbusters, sci-fi spectacles and the kind of destruction porn that's now a regular feature of both. But at the time it was released, those brain-searing images of the White House and New York City being pulverized by massive alien spacecraft were like almost nothing that had been seen before. More importantly, the movie is vastly entertaining from start to finish. From the tense build-up to the invasion, through the catastrophic first attack, to the unabashedly patriotic and resolute counter-attack by a united human race, Independence Day is grand pulp adventure that crackles with energy and is bolstered by a cast that digs into their one-dimensional characters with relish.
A world class exercise in rampant paranoia, Philip Kaufman's remake of the classic is eerier and more terrifying than the original, not to mention one of the best sci-fi outings of the s. The idea of updating the story to modern-day San Francisco during the "Me Decade," is a masterstroke: everyone is so absorbed in themselves that it's easy to miss other human beings being duplicated by the insidious alien pods.
Your spouse has stopped showing emotion? Why, he's just having trouble connecting with his feelings. By the time anyone in the brilliant cast Donald Sutherland, Leonard Nimoy, a young Jeff Goldblum wakes up to what's really happening, it's far too late.
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